Today we’d like to introduce you to Hans Fischer.
Every artist has a unique story. Can you briefly walk us through yours?
Born in Holland, raised in Harrison NY, I have lived in Ridgefield, CT for many years and maintain my studio here.
After college my new career as a “starving artist” was put on hold by the U.S. Army and “The Sixties”. Becoming an artist evolved instead into careers in industrial design, interior architecture, graphic design, art direction and finally corporate communications and management. In 1989 I established my own graphic design company.
But my first love was always fine art and I was finally being able to concentrate full time on painting for the last decade. I truly enjoy the experience and processes of creating art and hope that emotion is reflected in my art.
My studio may be in Connecticut but my Grand Kids are in Boston’s South End… so here I am. For the last several years I’ve been able to spend a lot of time here on Tremont Street where I can work and hang out with the kids…perfect. A great neighborhood. I’m beginning to feel like a native. Even starting to like the Patriots. Then there’s all those quality art galleries, world class museums, the art section of the Public Library is suburb. Boston is a good place for art and artists. I am currently looking for gallery representation in Boston.
A recurring theme in my work is the urban landscape, those beautiful green “oasis” surrounded by steel and stone. Boston Common, Central Park, Esplanade. Boston is the perfect size for exploring, inspiration and sketching painting ideas that I can incorporate in my work.
Please tell us about your art.
My approach to painting basically explores blending abstract with representational “imagery” to create the sense of a place expressed through patterns of light and color. Visually merging those styles by utilizing a mix of media, texture, color, and strong composition.
In my work I try capturing the quality of light…the patterns that appear as you turn a corner on a clear sunny morning when one side of the street is so bright you need to squint while the shadows are so deep you can’t see into them. All you see is light and dark, color and shape, no detail… an abstract “painting idea”.
I try to use powerful brushwork and bold color relationships to create complex “organic” textures. I work with encaustic, oil, and acrylics, often combining them, to achieve unique, vibrant, translucent surfaces with strong textural qualities that engage viewers.
I like the idea of visually stimulating a person’s curiosity – to get close, touch and feel the surfaces, connect with the work in an almost physical way as well as a visually satisfying one.
What do you think about conditions for artists today? Has life become easier or harder for artists in recent years? What can cities like ours do to encourage and help art and artists thrive?
Conditions for artists are generally good …BUT that depends on what an individual artists goals are. If you paint for the love of art and personal satisfaction that’s one thing, if it’s for the love of art, showing your art, and making a modest living doing it. That becomes a lot more complicated and stressful.
I don’t think life for artists is harder today but it’s not easier either. It’s always been difficult for artists to emerge, show their work, to network in the right circles, to build resumes. In short market themselves. That does not come naturally for most artists. Its hard work. Galleries are not easy to get into. Getting recognition for your art is even more difficult but not impossible. Commitment is key. It’s going to take time but it’s worth it.
Even though there are more outlets and opportunities today for artists, like online galleries and art auctions, etc. These outlets can seriously undervalue an artist’s work and it becomes more of an underappreciated commodity. Sorry, I could go on and on this topic.
I believe you can’t have enough Art associations, art guilds and groups that have a collective goal of getting their members work seen. Seeking out those groups is an excellent way to start networking and the HUGE benefit of lasting friendships with other artists just like you. The dynamic of artists sharing experience and insights is a joy indeed and a very valuable incentive to create more and better art.
How or where can people see your work? How can people support your work?
My work is shown in galleries and is in private collections in the U.S. and abroad. Studio visits and commissioned work are always welcome. For details email
hansfischerstudio@mac.com or visit www.hansfischerstudio.com for a comprehensive view of my work. My work currently on exhibit at the 28th annual Spectrum Contemporary Art Show juried exhibition at Carriage Barn Arts Center, New Caanan CT and the Ridgefield Guild of Artists. A complete list of past exhibits and awards is on my website.
Contact Info:
- Address: Hans Fischer
- Website: hansfischerstudio.com
- Email: hansfischerstudio@mac.com
- Instagram: hansfischerstudio
- Facebook: hansfischerstudio
Image Credit:
All images are by Hans Fischer
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